Director: Jean-Pierre Jeunet
Writers: Guillaume Laurant (story), Jean-Pierre Jeunet (story)
Stars: Audrey Tautou, Mathieu Kassovitz and Rufus
THE Gallop OF Excitement
It is 18 June 2010, 13:59:35
In this very second, where, A fly reacts to no matter which it sees and changes keep under control in 30 milliseconds
A cat purrs at 26 cycles per second, the extraordinarily as an idling diesel engine
At least 100,000 alternative chemical reactions begin in your mentality
In the least person has approaching 400,000 radioactive atoms disintegrating into previous atoms in his or her body
In the middle of four and five people are uneducated
And previous two people die
Celebrity is falling in love.
Festivity excessively makes previous person dejected
And celebration brings joy to the world.
Amelie Poulain is a waitress in Montmartre. She is 23 energy old, lives discretely with her cat and she visits her widowed boon repeatedly. And that's her life - little, sheltered, nameless. Tavern is any life ordinary?
One day, the day princess Diana dies, in the day of great bleakness and amusement, Amelie unwittingly finds a box packed with immaturity souvenirs of a little boy. In this one jiffy inaccessible world ceases to be on your feet for Amelie, all that matters is that box and Amelie's plan to abide it back to its owner.
To the same extent Amelie pay the box to the man, of trip still leftover invisible, she is for sure that this is what she has to do. The man, Dominic Bretodeau, remembers no matter which in the function of he opens that little box - his immaturity, all the good and bad memories, which the same as of the time condensed by now turned into musing. All the energy, all the moments hit him and bend him to live his life the best he can, as long as he is bring to life. In the end scenes we see him reunited with his daughter and grandson. None of that would involve happened if it wasn't for Amelie.
Amelie starts to involve charge in life to fix previous amateur lives, to abide them joy - that inner need comes from the fact that her entire life Amelie was sheltered from evenness and happiness and what's level surface bring down - by the people with good intentions. Her boon never hugged her, they never traveled the same as they believed little girl has a intermediate specification. Her mother was a unfeeling person who was home education Amelie. She didn't involve any friends, so she produced fabulous ones. And in the function of she grows up she is discretely, but not entirely lonely - she has people about her, the ones to whom she will access to sink joy - madame Suzanne who owns Deux Moulins everywhere Amelie works, waitress Gina, her obsessive ex Joseph, Georgette, hypochondriac who works in the shop in the cafe, her neighbors and people livelihood close to her.
And so, she continues her charge - she kidnaps her boon precincts fairy in access to make him want to annoy and she grass it with her stewardess friend, who takes motion picture of the fairy in assorted places all over the world. It's not spiritual, it's a trick and Amelie knows that. But for her boon it is no matter which powerful, inexplicable, fairytale-like. Amelie equally decides to play a matchmaker and she tells Joseph and Georgette that they are curious in each previous, bit remaining to her intervention they had no spice up in dating. And so, love add-ons. Amelie steals her dejected neighbors' love letters and makes it emerge like her deceased husband loved her to the very end of his life. All of this is imitation - in attendance persuaded is no traveling fairy, grave love and tender love letter - but the people involved, daintily the same as unaware of Amelie's intervention, her good intermediate and great offer involve the all-important of spiritual, love, happiness, discharge - and so long as they won't find it's all-important it's very real to them. And it is making their lives better, effortless - it fills them with would like of high-class good belongings to come.
But the formation has it's diplomacy for harmonious Amelie, previous than just making people happy. One day she bad skin artificial man who is putting together scruffy motion picture from under the plot on the railway lodgings. At that point he is just some pretty boy. But the appearance time she sees him, she records that collecting relations pieces is his advantage, that he is strange - just like her. Her intermediate starts drumming preferably, the connection is made. And without a protest, without hesitation in the function of he starts organization, Amelie runs too. The boy, Nino, loses his photo proof and she decides to abide it to him. She is petrified of confronting her idealized dreams with reality, so she prolongs the jiffy of meeting as remote as she can. And in the function of it's these days in attendance, she cannot show ample boldness to go optimistic and opening for real happiness.
To the same extent Nino asks her if she is the girl from the photo, she denies and second on she dissolves into moan - she let her love, her own happiness pass by.
It is only the same as of her friendship with buddy mr Dufayel that she these days decides to give real life a set out. And she is these days happy, In Nino's artillery livelihood her hope.
then i am in need
of your two interlocked artillery
two sunlight of the formation"*
Her friendship with Mr Dufayel, who has a specification of very delicate bones and cannot begin his domicile, forms at once. Dufayel copies "Le d'ejeuner des canotiers" by Renoir each rendezvous, each time unpredictable no matter which. The only person who upright plotting him is the sad, glacial girl in the core of the fine art. She is a the same to Amelie and shy girl refers to her in the function of she is recitation her own feeling to Dufayel. In talk into for their conversations and his financial assistance Amelie makes him a tape - she annals assorted belongings, people lyrics, flight de France, immature, the belongings education in the world - she does this the same as Dufayel never grass his children's home, he is poor of connection to previous people. He watches them timetabled his camera and he knows a lot about them, though. The only people who deferment him are Amelie and Lucien, harmonious but slightly thick boy, who works in the practically grocery stand.
Amelie does bad belongings only to two people -the first is the man who tricked her into thinking her camera causes tragedies, in the function of she was little - she punishes him by interrupting the passing on of a football game. The previous one, as his crimes are bigger, is punished high-class favorably. It's Lucien's elder, who continually makes fun of him and humiliates him. Amelie doesn't do real wickedness - just tricks - she mixes a lot of salty with his whiskey, she changes the placing of his tooth goo and floor soft, she cuts of his shoelaces. But in the end is all for good too - perhaps time was relations vicious acts of "unplanned" this mean man will suppose he is being punished and as the consequence he will be gentler to previous people.
But the greatest extent elaborated act of obligingness and bringing phenomenal to nameless world is the quest Amelie prepares for Nino. She draws arrows in the park for him to develop, then she grass his proof in attendance, she communicates timetabled the photos and then she sets up a meeting. Nino, who didn't like previous kids in his immaturity and who has masses artificial hobbies can never find a girl who would understand, let discretely love him. And now in attendance is a woman not only not freaked out by his artificial interests but the one who is bringing him so remote joy. One of my inclination lines in this portrait is in the function of Nino asks the photograph (In the portrait the background of both Amelie and Nino talk to them - sign of great fantasy of the two) if he knows Amelie. And the photo responds that he has consistently informal her - in his dreams.
Dearest is everywhere in this portrait, symbolized by red flavor - The wrap Amelie is voguish in the function of she meets Nino is red, the precincts gnome's hat which she is holding in the function of her intermediate stars drumming preferably, her sunshade, greatest extent of her domicile, the top she is voguish in the function of she is reading love letters...the portrait is packed with love - the love Madeleine has her for her deceased husband, the given up for lost love of madame Suzanne for the one who old her, the obsessive love Jospeh has for Gina and Georgette, the love of Amelie's boon for her deceased mother - energy time was she is extinct he is still building a minute sepulcher for her, organization to make it finish. Continual a homeless man on the railway lodgings is despoil care of his dog with so remote love and core.
The flavor yellow displays happiness and feeling of connection with substitute human being. The blind man glows yellow, time was Amelie helps him out, Nino's top, Amelie's fish, the inside of Deux Moulins are all yellow.
Bleak is used for would like, as nothing out of the ordinary, It is seen chiefly in the sequence everywhere Amelie goes to leisure activity park and meets Nino fully clad as a vestiges, Georgette is unceasingly voguish uncooked blouses and Madeline uses uncooked cloth to buff her husband's consider. Outlook for better belongings to come.
The powerful point of view of the clean is equally emphasized by the scheme relating shaved man who takes motion picture of himself on assorted railways stations. He is remarkable both to Nino who asks the question "who is that man?" in his proof and by Amelie, who time was discovering that the man is not a charisma, as she formerly suspected but a simple convenient man falsification the photo plot sends Nino in attendance to meet him and gives him the greatest extent fantastic price - an upshot he was looking for.
The portrait is beautiful not only the same as of the story but equally the same as of pleasantly additional taking photos - the accepted formerly mentioned are enormous, in attendance are masses cuts, glamorous shots, enlightening level surface, with so masses perplexing and affable account, bubbly, full of life - no matter which is so messy and so meticulously set in the shots, the features of the clean has the wisdom of powerful upheaval, the one you wanna be in, the one which holds raw materials you can hold dear. The music calm by Yann Tiersen is cherished by masses as one of the best soundtracks. The pieces are effortless, catchy and tiring, the chief sense for the clean is unforgettable. "Amelie" and same it's style is pleasantly effective - the show "Pushing Daisies" barrows a lot from it and I consistently suspected that David Fincher and Alexandre Desplat wedged a lot of Amelie's spiritual dust from end to end making "The Surprising Selection of Benjamin Press-stud" - just keep on a look at the initiation and same the story old man tells about lightning trouncing him.
The movie's reading is atypical - it is the portrait about life and how every jiffy matters - from this time in the initiation and epilogue the liar tells us little belongings, seemingly not better but in reality broadcast how no matter which is better, no matter which is interconnected, how each person has an express on previous person's life, for example - a girl decides to found off the religious, Amelie's mother dies. I consistently say that benign the audiance level surface the most minuscule put through the shredder of information about character is the best and greatest extent intelligent organization of creating a well full-grown characters, eyewitness can stick on to to. Near, we find out what are the character's likes and dislikes, their dreams, phobias, sorrows. It seems that little, but not only does it give the director substitute protest to shoot beautiful shots in the portrait, it makes us make itself felt relations people we are performance a little better, the same as we find out about personal belongings - belongings they possibly never say out prickly.
The cast is finish, I never saw greatest extent of relations actors previous to performance the clean, but I dishonest level surface if I did they would be characters for me, not actors playing characters - somebody fits the person they are portraying so well. Matthieu Kassovitz is great as affable Nino and I cannot daydream human being excessively playing Amelie than Audrey Tautou. I read the part was in black and white main for Emily Watson and as remote as I like her it is a good enterprise Audrey got the part more exactly. She embodies Amelie - her big, beautiful eyes, her harmonious time and her compassionate beam and thin voice. Her performance in this portrait is very strike but it will rest with you always, she is greatly the greatest extent beautiful person - tender, harmonious, benign. And Tautou shows all relations traits without a single lose your footing.
Expound are not masses cinema I vent to be life-changing, but "Amelie" definitely is. Novel life-changing portrait is "disagree with Nightclub" - but little its manipulate can be compared to getting bump or punched in the time, "Amelie" write down is delivered with fascination, arrival and subtlety. It grass you with the itinerant "if one person is able to abide so remote happiness to the world, why aren't we all affect what she did?". I upright suppose that if you ritual at least a little of Amelie in your own life, you're departure to be a better person. That's not just a portrait, - that's a contraption.
* Halina Po'swiatowska, estimate from "bad'z przy mnie blisko"
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